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Feeling purple

Feeling purple

I woke up this morning feeling purple.

No, actually that is not true. Because purple is complex, many-layered, profound, even mysterious. No one still emerging from sleep can feel purple. Feeling purple requires a consciousness fully awake and fully aware.

But even that observation falls short of the truth. Full consciousness is a necessary, but not sufficient condition for feeling purple. I cannot produce a purple mood from within myself. Feeling purple happens in relationship, under the influence of or in reaction to, something outside myself, something compelling, consequential, unignorable, captivating.

Purple is the color of Lent, a season often misunderstood. Lent is a solemn season, but not somber or grim. Lent is not about deprivation or self-denial, but about raised attentiveness, about a purposeful focussing on matters, not of grave importance, but of breathtaking importance, about reflecting on the very nature of what it means to be human, to live in sync with the heartbeat of creation, to live in harmony with the song God sings.

Feeling purple is a wondrous state of being, bringing awareness of my place, my role, as part of a much larger whole. It is not that the petty, mundane, quotidian duties and routines and appointments of my everyday life are superseded, shown to be of little or no consequence. On the contrary, it is these very things, the little things, the prosaic things, that are revealed to have eternal significance, literal eternal significance.

A purple mood subsumes me, envelops me in a rich and velvety and boundaryless aura, draws me, not out of myself, because I never leave myself behind, but draws me into the world, into this world, into the layers and essences and beauties of this world of which I am not commonly aware. A purple mood makes me feel whole. A purple mood makes me feel that my life matters. A purple mood brings peace.

May you know too the extraordinary blessing of feeling purple.

Joel’s Hole

Joel’s Hole

Wisps of airy white vapor float over restless waters. From behind a undulating green wall of spruce and cedar., the orange crescent of the rising sun makes its morning appearance haloed by diaphanous clouds bathed in iridescent light. The lingering echoes of a lone loon’s preternatural cry hang suspended in air and in time.

Behind me, a single sentinel spruce towers over the rest of the tiny sparsely-treed island, grey granite boulders tumbling into the shallows at its feet. Sitting half a dozen yards offshore, I lean over the gelid gunwale of the boat and dip my hand into the boreal waters of the lake, wanting to join my spirit to its spirit.

There will be time yet to pin a slimy and wriggling leech to the hook of my tungsten jig, time yet to cast my fluorocarbon line out over the cobalt waters, time yet to drag the baited pink and yellow lure slowly along the graveled bottom, ever alert for the slightest resistance, the subtlest change in line pressure, time yet to jerk the rod, set the hook, and experience once again, but always as if for the first time, the exhilarating rush of a dance with an exuberant walleye.

But now, I am subsumed in this moment, in this place, emptied of care and ego and desire, the boundaries between water and loon and rock and spruce and sun and cloud and me blurred and meaningless. And yet, in this hallowed place, sitting in a boat at Joel’s’ Hole on Dog Lake, I feel most assuredly, most authentically, most happily, myself.

Land of the silver birch
Home of the beaver
Where still the mighty moose
Wanders at will
Blue lake and rocky shore
I will return once more
Boom didi boom boom
Boom didi boom boom
Boom didi boom boom boom

Heirloom

Heirloom

I had no inheritance from my parents. Any remaining monies were exhausted in my mother’s end of life care. And few of their tangible belongings have been passed to me. I have my mother’s violin and her dining room set, a Celtic cross that my father hung around his neck. And nothing, nothing at all, save a few Bible commentaries bearing my grandfather’s name, from grandparents on either side.

Not even stories, stories of ancestors remembered and passed along generation to generation. The only grandparents I knew were my mother’s parents and they lived three thousand miles distant on the opposite coast. Our nuclear family lived isolated, far both physically and emotionally from any extended family and my parents told few, if any, stories, of childhood, of their parents or grandparents, of characters in the family tree, noble or ignoble.

My heirloom, the one single entity of precious value my parents purposefully passed to me was their faith, the faith that had shaped and directed my mother’s consciousness from the very beginning of her life, the faith that had captivated and delighted my father of a sudden when he came upon it or it came upon him as a college student in Michigan.

It was a faith, not of rote or custom or habit, not driven by compulsion or fear of celestial consequences, not a means of attaching themselves to a desired social cohort, but a thing deeply personal, palpably passionate, curious and creative and explorative and resilient. It was not a piece of their life together, but its centerpiece, the first principle, the driving motivation, the guiding star in every decision they made, in every project they undertook.

It was this faith, this kind of faith — generous and humble, earnest and accepting — that they passed to me. But, of course, faith, genuine faith, is such a thing that cannot be passed. It cannot be possessed secondhand. I did live their faith for a while, as a child and even into young adulthood, eager to please them, eager to do right and be right.

But one day, not in a single moment, but in an accumulation of moments, existential crises and intellectual discoveries, seeing new things, feeling new things, sensing for myself the real meaning of the Jesus among us, the Jesus with me, that faith became mine, no more my parent’s faith, but mine, the centerpiece of my life.

My heirloom is not really something my parents could give me, but only something they could point to, hoping and praying, that for the sake of my their joy, for the sake of my own joy, for the sake of joy itself, I would be able to find my way there.

And gladness of heart

And gladness of heart

And gladness of heart …

I was sixteen years old, a high school sophomore and a trumpet player, selected for the Massachusetts All-State Band. The festival and concert that year were held in Plymouth. My girlfriend at the time was a junior, singing alto in the All-State Chorus.

I have only vague memories of the pieces our band played that weekend and no memories at all of our conductor. But my memories of each composition sung by the chorus and of their exuberant and charismatic director are vivid and enduring.

Every time the band took a rehearsal break, I would run to the room where the chorus was practicing to watch and to listen, not because my girlfriend was there, at least not entirely, but because of the guest choral conductor and because of the music.

The conductor was Vito Mason. I remember him as tall, with dark hair and a commanding physical presence. He would lead the choir through a series of remarkable vocal exercises, not singing, but vocalizing nonsense syllables and sounds, teaching them to follow closely, so closely, the nuances of his gestures, responding to his direction with changes in volume, intensity, timbre, mood. He had them, and me too, literally at his fingertips.

And the music they sang, yes, every piece, enthralled me, but one song, one song in particular, became indelibly imprinted on my soul. He prepped them for the opening of the piece. He would give them only the smallest of hand signals, not giving listeners any foreshadowing of what was to come, and they would suddenly shatter the silence with their bold declamation …

Have ye not known?
Have ye not heard?
Hath it not been told you from the beginning?
Have ye not understood from the foundations of the earth?

Oh, my! Even now as I write these words, the profundity and power of Randall Thompson’s perfect setting of the Isaiah text— yes, I will say perfect! — rings in my ears and overwhelming emotion wells up within me. From the beginning, from the first unison notes, this song takes hold of me, body and spirit, and will not let me go.

But that is only the beginning. The song performed by the All-State Chorus to close the Plymouth program is actually two songs, the final two sections of a larger work by Thompson entitled, The Peaceable Kingdom. After the short and thunderous opening, “Have ye not known,” comes the longer melodic and hypnotic, “Ye shall have a song,” featuring eight parts, a double choir …

Ye shall have song,
as in the night when a holy solemnity is kept;
And gladness of heart
As when one goeth with a pipe
To come into the mountain of the Lord.

The text is simple, unassuming, almost innocuous, but — oh — the music! Building, ever slowly, but ever surely, soaring, dancing, exulting. I had never in my life known or heard the piece before, but once hearing it my life was forever changed. Then and now, every time I hear the antiphonal phrases, one of the double choirs answering the other, “and gladness of heart, and gladness of heart, and gladness of heart, and gladness of heart” involuntary shivers run over my body and my heart and mind are consumed by the music, made one with the music. In that moment, there is no music and no me, just the being, being in that place of exquisite and incomparable joy.

I have a recording of that piece, of that concert, of that sublime performance by eighty high school students led by a man they had only known two days that left an audience of parents and friends and music educators, and me, in awe. I listen to that recording still, and every time I do, it is not that I am taken back there again, but I am taken again, in a new moment, to a place I have come to know and to love, a place of pure delight.

Eilidh

Eilidh

The newest member of the Blue Hill Ensworth household: Eilidh (pronounced “Ellie”), an almost nine-week old Australian Shepherd. We picked her up in Martha’s Vineyard Saturday.

September

September

It was not September, but August.  We were in Maine for the celebration of my parents’ fiftieth wedding anniversary, which is not August, but September, September 7.  September is the month of my father’s birthday, September 28, but that September, he would not have a birthday.  Nor would some three thousand other folk have another birthday, because of one particular day in that September, September 11.

But it was August, not September, and we knew nothing of planes flying into buildings, and my father was still with me, with me, just me, just the two of us, sharing one more climb up Blue Hill, my father at almost seventy-nine, almost because it was still August, not September, still fit, ascending the steep ramps of the Osgood Trail at his own pace, slow, but steady and sure.  We talked as we climbed, deep talk, deeply personal talk, meaningful talk, the kind of talk you can only have with a father who is frank and wise and compassionate.  We took a photo on the open ledges at the summit, my father and me atop the mountain for which the town is named, his home in retirement then, a retirement delayed much too long and doomed much too short, and my home in retirement now, a retirement I live not only for me but for him, too, for the retirement he did not have.

It was August, not September, not the month my sister wanted to hold the anniversary party because it was after all my parents’ actual wedding month, but I objected because I could not come in September, because I was much too busy in September with my work, and if we had planned the celebration for September, as my sister wanted, my father would not have been there.

But it was August, not September, and my father was there and my mother was there and my sister was there and my brother was there and I was there, and dozens of my father and mother’s dearest friends were there, gathered from all around the country into an upper room at the Jordan Pond House, eating and laughing and making our tributes to a man and a woman whose shared life had an immeasurable impact on ours. 

It was a most wonderful August evening, not September but August, a most wonderful and unforgettable August evening, my father’s face luminescent, reflecting the warmth of the words that filled the room and his heart, glowing with the joy of a life lived with his one bride, their love hard-earned but now surer and more intimate than ever, radiating the knowledge of a grace deeper than words, that gave him his life and made it what it was and freed him to give the same to us.  It was August, not September, because when September came, he was already gone.

Toby’s last hike

Toby’s last hike

I climbed Blue Hill today, to remember and honor our most beloved Toby, the very best of hiking companions. It is a fitting memorial.

Toby's collar, leash, baby, and backpack on the Blue Hill summit
Toby’s collar, leash, baby, and backpack on the Blue Hill summit

We had Toby put down this morning, not wanting to prolong any longer his suffering or ours. Toby, you are forever in our hearts!

Toby on Blue Hill
Toby on Blue Hill